Liquid - the replacement
Posted: Thu Mar 04, 2010 10:31 am
I know a number of IAC members use Avid Liquid, and they will probably be aware that it is an 'end of line' product. This was announced three years ago - along with the stated intention of Avid to bring out a 'new generation' (newgen) editor as its replacement. I can't say what is happening about a 'newgen', but I can say that there will be no future of any kind for Liquid, per se.
The furore of Liquid users on the Avid forums struck home in a very short time with the Avid hierarchy - and the CEO herself, in fact, entered the discussion and came up with the following ...
http://community.avid.com/forums/p/8090 ... spx#451778
In short, Liquid is really dead, and buried. There will be no mid range product to replace it. But in recognition (???) of the user base, they are offering Liquid users who have registered before March 10th an upgrade to Avid Media Composer (which costs £1000s, and is used by Film Studios - in fact, AVATAR was edited on it) - for just $495. we are still waiting to hear whether, as is normal with these things, that means £495 (at £=$), or whether we will get the same 'value purchase' as those in the USA - and have it for around £335. The offer is for a limited period. (June I think). It is a comparatively small window of opportunity (if that is the right word). There is no doubt that it is a good offer, limited, as I say, to registered Liquid users only: they have recognised that some buy the product and don't bother registering it, hence the short period in which to get it registered if that is the case.
I have downloaded a 30-day demo of MC - and it is a BEAST: unbelievably powerful (with motion tracking, animatte, morphing capabilities and so on), and at the same time, totally unlike any 'conventional' editor on the market. This is because it has been designed to replicate the film editing tables, and not the customary computer based nle workflow.
It is nothing like Liquid - and doesn't even have some of the capabilities of Liquid. Nevertheless, it is unbelievably powerful - if one is prepared to spend time learning a totally new workflow (new to every PC based NLE I'd say!).
Liquid still works (and to my mind, better than any other NLE!) but of course, it is gradually dropping off the radar as far as recognising the new file formats and working with the new operating systems are concerned. Eventually it would be necessary to find other ways to convert and import material into Liquid. Although MC is totally different, for me the best way to move on is upwards, and not downwards - which is how I would regard having to move to one of the other mid range editors I'm afraid (just my personal view - don't hit me for it!!).
Point is, this offer to move to MC is really quite short lived. (The users of Avid Xpress Pro - which was also dropped a while back - were given a similar offer - but at nearly three times the 'upgrade' cost (£1000), so this really is a good deal ... if you can cope with the way it works!
The furore of Liquid users on the Avid forums struck home in a very short time with the Avid hierarchy - and the CEO herself, in fact, entered the discussion and came up with the following ...
http://community.avid.com/forums/p/8090 ... spx#451778
In short, Liquid is really dead, and buried. There will be no mid range product to replace it. But in recognition (???) of the user base, they are offering Liquid users who have registered before March 10th an upgrade to Avid Media Composer (which costs £1000s, and is used by Film Studios - in fact, AVATAR was edited on it) - for just $495. we are still waiting to hear whether, as is normal with these things, that means £495 (at £=$), or whether we will get the same 'value purchase' as those in the USA - and have it for around £335. The offer is for a limited period. (June I think). It is a comparatively small window of opportunity (if that is the right word). There is no doubt that it is a good offer, limited, as I say, to registered Liquid users only: they have recognised that some buy the product and don't bother registering it, hence the short period in which to get it registered if that is the case.
I have downloaded a 30-day demo of MC - and it is a BEAST: unbelievably powerful (with motion tracking, animatte, morphing capabilities and so on), and at the same time, totally unlike any 'conventional' editor on the market. This is because it has been designed to replicate the film editing tables, and not the customary computer based nle workflow.
It is nothing like Liquid - and doesn't even have some of the capabilities of Liquid. Nevertheless, it is unbelievably powerful - if one is prepared to spend time learning a totally new workflow (new to every PC based NLE I'd say!).
Liquid still works (and to my mind, better than any other NLE!) but of course, it is gradually dropping off the radar as far as recognising the new file formats and working with the new operating systems are concerned. Eventually it would be necessary to find other ways to convert and import material into Liquid. Although MC is totally different, for me the best way to move on is upwards, and not downwards - which is how I would regard having to move to one of the other mid range editors I'm afraid (just my personal view - don't hit me for it!!).
Point is, this offer to move to MC is really quite short lived. (The users of Avid Xpress Pro - which was also dropped a while back - were given a similar offer - but at nearly three times the 'upgrade' cost (£1000), so this really is a good deal ... if you can cope with the way it works!